The Rant

May 14
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God vs. Medicine

http://www.motherjones.com/politics/2009/05/should-parents-who-call-god-instead-doctor-be-punished

When it comes to a topic such as this, I cannot help but be a little biased. I wouldn’t really call myself that religious however I understand how serious people take their religious beliefs. When people don’t seek a doctor for medical attention because of their beliefs, I personally think that is crazy…especially if your child is dying of a curable disease.

In the Kara Neumann case, had her diabetes been diagnosed she would probably still be alive since it could have been monitored. Her parents should be prosecuted for reckless endangerment for denying their child proper healthcare. When your child is too weak to walk or talk, there comes a point where you need to take him/her to the doctor. It’s common sense. I’ve come across people who choose not to take aspirin for headaches or any kind of over-the-counter drug for similar reasons, but when they’re seriously ill they do seek medical attention. I can only imagine how many unnecessary deaths of children are caused because their parents refuse them the right to proper treatment.

Of course this issue has been an on-going battle for quite some time now and there really is no stopping religious freedoms especially with how the laws are right now.

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May 13
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Hungry Anyone?

An AT&T building in San Jose had to be evacuated yesterday with seven employees hospitalized due to what? An unplugged refrigerator which resulted in a fridge full of moldy food. Yummy.

I haven’t experienced a fridge full of moldy food where I work…yet, however I’m convinced there IS mold elsewhere in the building. Because the company I work for

isn’t corporate, they aren’t required to test for mold…so do they? Nope. Common health effects of mold according to the CDC include throat irritation, nasal stuffiness, coughing, wheezing and eye irritation. One would think after having water seep through the ceiling tiles for months, it would prompt someone to test. That would make too much sense though.

When it comes to food mold though, one of my coworkers forgot about an orange she stashed away in her drawer until our whole area started to gag from the smell. Smelling that makes me never want to have an orange ever again. It was rancid. No one even knew what the smell was though until days later when she opened up the drawer again. As if I don’t suffer enough while I’m there WITHOUT worrying about breathing in some toxic fumes.

http://news.yahoo.com/s/ap/20090513/ap_on_fe_st/odd_rotten_office_food_2

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ADAM as told by…Adam.

Fashion designer Adam Lippes, 35, is one of the youngest creative directors taking the luxury fashion world by storm. Lippes’ line ADAM based in New York is where his creative muse inspired by mid-century American art comes together with luxurious basics to playful prints. With a genealogy consisting of doctors and lawyers, being a part of the fashion world seemed like an unreachable dream to Lippes until he moved to Paris for a year otherwise known as the Mecca of the fashion industry. Lippes crushed every stereotype I had about luxury fashion—-snooty, self-absorbed and moody.

Q&A

Em: When did you decide you wanted to set a career in fashion?

Adam: When I moved to Paris for a year, I got really involved with fashion there. Fashion and art. I decided that no matter what I was going to do I was going to live out this dream of being a fashion designer. So I really set my sights there my junior year of college. I came back to New York that summer and I worked at an investment bank as an intern and that really REALLY cemented in me what I wanted to do next.

Em: What year was that?

Adam: That was 1994.

Em: You said you didn’t know any designers or have any connections, so how did you really break through in the fashion industry?

Adam: You know I got a job at Ralph Lauren, that was my first job. I was the assistant to the store manager for the flagship store and within a year she left and went to Oscar de la Renta and she took me with her. I didn’t really have a role with Oscar when I first started but I got to know Mr. De la Renta very well. We started to work on a project together and I sort of grew up there, I sort of went to school at Oscar de la Renta. He’s really old school, he’s a gentleman. He allowed me to really learn on the job. He really taught me everything I know about fashion. I mean I really went to school there, I felt like I went to school there.

Em: How old were you when you were there?

Adam: I was about 22 when I started there and by the time I was 26 I was creative director there.

Em: What is it about fashion that really appeals to you the most?

Adam: You know I love so much about it. I love to create. I love the freshness and the newness. For me always being able to create new things is something I love and then I love what I can do with a new customer and making a customer happy. Seeing them try something on and look happy. We need clothing to wear, but it also brings a lot of happiness for people. It’s amazing to be able to give happiness to them and watch them smile and you know it’s the most amazing thing. To try on a dress and she looks amazing and she smiles and she’s so happy because she knows where she’s going to wear it and what she’s going to do in it. It’s sort of little bit of a dream you know?

Em: What would you say sets you apart from other designers?

Adam: You know, of my contemporaries, what I’m really trying to do is create a lifestyle brand that is sheik and elegant and wearable and approachable. We make really accessible designer collections so for me it’s not all about the time or the moment. I think trends are important, but I care more about creating clothing that a woman can wear, can be comfortable in and enjoy and can be herself in. It’s really important to me that the clothes don’t wear the woman you know, that the woman is able to play with the clothes. So I think that sets me apart from at least with my contemporaries.

Em: If you could describe your clothing line in three words what would they be?

Adam: Fresh, elegant and wearable.

Em: How has your line evolved over the years?

Adam: You know I started this line about two and a half years ago and it was only T-shirts. These really beautiful, these really wearable T-shirts, they weren’t long, they weren’t short, they weren’t ripped, they weren’t see-through, just great beautiful basic T-shirts. That’s all I did was T-shirts and then I slowly added fashion around it. I mean in this season we sold a whole fashion collection. So it’s changed a lot. It’s grown a lot. The T-shirts are still at its core but it’s grown a lot. I’m fortunate enough to be on the Oprah Winfrey show three years ago and she really helped to propel the brand. (2006)

Em: What demographic are you really trying to reach with your collection?

Adam: We reach women late 20’s on up, but we dress a lot of different ages. We’re seeing a lot of people coming into our store and see our brand as being a designer brand for them and other people who are designer shoppers who really can’t believe the quality and the value and the accessibility of our brand and the style of it so it’s really coming from both worlds.

Em: Going back to what you were saying about Oscar De La Renta and how you said you kind of went to school there, how would you describe your relationship with him?

Adam: He was and is a mentor for me. He helped me start my business. He was one of my original investors. I still talk to him on a regular basis. He is a mentor to me, he really is a wonderful man.

Em: Is there anything specific he taught you about the fashion industry?

Adam: He taught me a lot of things. He taught me a lot of specifics about color, about quality, about fit, but he also taught me…you know he’s such a famous fashion designer but he’s not at all about that; about the drama and the sort of image we have that is sort of true about a lot of what the fashion world is. He’s very charitable, so charitable; he’s such a Renaissance man if I can use that word. He taught me to be a generous, giving person.

Em: Where do you find your inspiration?

Adam: My inspiration for the whole brand always comes from the art world. I’m mostly interested in Mid-Century American art. The collections are always really based on that. I really find inspiration for styles really based on a feeling I’m having and what my friends are wearing and how they’re wearing it and what I feel looks and feels fresh. But it always starts with the art world. Always.

Em: Why did you change the name to Adam + Eve to just ADAM?

Adam: Well you know there is a really famous pornographic website called Adam and Eve. So as we grew it became a little too close for comfort and decided to change it.

Em: Could you kind of walk me through what a typical day is like for you?

Adam: Sure, a typical day begins around 10a.m. and ends at around 8 or 9. A day will involve I would say it’s about 75 percent design and 25 percent business and PR and that. We do about eight women’s collections a year and two men’s collections a year and so we’re always always working on a collection. It’s really rare when there’s just nothing to do. Every day involves looking at different fabrics, working with colors, working with styles. We fit a few times a week, obviously more so before a collection is due. So most of the day is fitting and design and then I travel an incredible amount. I was just in Chicago last week. I travel to Europe a lot. I travel to stores around the U.S. so a lot of my work is travel. But my favorite time of year is working in the design room.

Em: How often do you travel?

Adam: I would say that I travel…depends on the time but I would say on average about 5 days a month.

Em: How many boutiques do you have in the U.S. and in other countries?

Adam: We have two of our own stores now, we’re working on opening three more very shortly and then we sell in about 33 other stores in America and around the world.

Em: And your first boutique was in Manhattan’s meat packing district?

Adam: Yes, exactly.

Em: Is there any specific reason why you chose that location?

Adam: Well you know my office is here so I really love to spend so much time there.  It’s very easy for me. But I chose it first of all because I think the meat packing area is weirdly pretty, it’s very open. The light is amazing. There’s a mix between high designer and fun, funky finds. I like that mix of the high and low and that was very important to me. I like the feeling of the meat packing. For the first store, the feeling was very important.

Em: When you put on a runway show, what all is involved in that?

Adam: Runway shows are INSANE. We start working on runway shows about three months before. First we pick the location. Then we work on everything from invitations to the set to everything that goes into the actual show itself and honestly we’re working on finishing the collections at the same time so it gets very hectic. About a month before we work about 6-7 days a week nonstop; really working on the collection, the collection, the collection. And the week before is when all the clothes are coming in, we’re styling with the stylists, we’re working on the music, we’re casting models, we’re working on hair and makeup, it becomes an insane time. It reminds me of studying for final exams. You’re working on a deadline and you’re going to work around the clock to do it and it happens twice a year. My team and I, we live here.

Em: How many people are working under you?

Adam: I work with 30 people in the company.

Em: As a designer, what are your goals with your line?

Adam: I’m really trying to build a lifestyle brand so it’s not only about the clothes but it’s about the environment. I look forward to launching accessories, launching home, I really want to create a brand where you can come in and enjoy an eclectic lifestyle. It’s more of an organic lifestyle that I want to create. I want to open up more stores and really make something interesting for people where they can come into the stores and be surprised and make a discovery whether it be a piece of clothing or a book, or an accessory; really give a sense of a lifestyle.

Em: Okay, so you want to explore the realm outside of a clothing line?

Adam: Yes, yes yes. I want to explore a whole lifestyle.

Em: Do you have anything you’re working on right now?

Adam: We’re working on opening up new stores which I’m really excited about especially in this economy. Like two or three stores, we’re looking at a bunch of different places. There will hopefully be another store in New York I hope, another store in California, and another store outside of Philadelphia with all the stores opening within this year. It’s a really tough economy but there’s a lot of positive stuff that’s happening here. Our business is quite strong. I feel it’s because of the value and the uniqueness we offer. I think you have to work extra hard and extra careful to make things that are extra special.

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A video short involving two cats on a mission….

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May 10
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Censorship on Vanity Plates…

http://www.latimes.com/news/nationworld/nation/la-na-tofu10-2009may10,0,216272.story?track=rss

A poor Colorado vegan’s love for tofu was stifled because the vanity plate she wanted for her car could be interpreted for something else…wtf?

Apparently the Colorado Department of Revenue has the power to decide whether your license plates are sending the wrong message to other drivers. Other banned license plates include BADUSA, YUCK, GOLFSUX, YEAHBUT 4HEMP and OK2BGAY.

First Amendment anyone?….Anyone?

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Apr 14
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Free Art!

Vibrant colors splash the stark, white canvas creating an abstract that recalls artist Jackson Pollack. Multiple colors of the sunset clash with ocean hues as shapes and streaks of color create a sense of symmetry and chaos. These acrylic paintings are the artwork of Patrick Skoff, an artist who wins the attention of many Chicagoans. Skoff, 30, releases his artistic muse in the confines of his makeshift studio located in his garage in Glen Ellen. Skoff has created a free art movement that exposes the streets of Chicago to his art and philosophy. He believes everyone should be able to hang a piece of art in their living room while recollecting the story of how that painting came to be.

The creation of each painting doesn’t always start in his studio to the beat of blaring music. On occasion he sets up shop occupying a lot of places in the Chicago area. He breaks out his heavy duty easel supporting his self-made canvases framed with 2x4s, along with a set of paints ready to fill the void of the blank canvas staring back at him.

While most paintings are abstract, portraits of President elect Barack Obama made their way into Skoff’s collection. Skoff appeared outside of the CBS 2 news studio on 22 W. Washington St. painting both presidential candidates in November. Behind the news anchors, was Skoff bundled up outside while he worked meticulously through the early onset of winter in support of the 2008 election. Before he could even finish the Obama painting, one of CBS’s own staff members bought it.

A dark, ominous rendition of Batman’s villain the Joker was painted in various spots in Chicago or Gotham City if you will. He was spotted in the Chicago Arts District in Pilsen painting the villain during the 2nd Fridays Gallery Night. Passersby struck up conversation with Skoff admiring his talent as he continued to paint in the back of his truck used for his landscaping business. The close-up of the haunting face with the Joker’s notorious white face paint and what looks like smeared red lipstick, makes you recall the famous line, “why so serious?”

Skoff grew up in Franklin Park where he attended East Leyden High School; the place where his love for art turned from hobby to hopeful career. Skoff’s art teacher Steve Lappe acted as a mentor while attending high school. Lappe took a special interest in Skoff’s enthusiasm he brought to the class unlike the other students taking art classes for an easy credit. He was genuinely interested in fine art and wanted to mold his technique as an artist.

Skoff’s developed technique as a fine artist has grown into something more than just his art. Skoff exposes the process of his final product by videotaping himself painting and posting it on YouTube or his website, skoffpaintings.com. One painting was videotaped on the roof of an old factory downtown Chicago. Skoff hurled paint from the roof down to the foot of the factory where a previously painted blue canvas laid waiting to be reckoned with. The time-lapsed video zoomed in on the canvas several stories below only revealing the variety of colors splattering against it. The only method to his madness was what colors to use and how much paint to launch off the building.

“I want to make my art have more of a meaning than just being art. I think what’s going to set me apart is the background behind my work and not the actual work, and that’s a part of what I’m trying to show. I’m trying to give people a feeling of what goes into making an art and why; instead of just the final product” says Skoff.

Skoff’s philosophy on art is just as important as the paint he brushes on a canvas. Skoff believes that life is art and everybody should have access to a quality piece of artwork. He wants people to have a story to tell about how they found it or how it was painted. This belief has created the framework for his free art movement treating the streets of Chicago as his own personal art gallery. Skoff doesn’t want to showcase his art in high-priced galleries that dig deep into the pockets of not only the art lover but the artists themselves.

“An art gallery to me is a store, like a Wal-Mart; going around you pick up what you want and then you leave. I want to make the entire city my store. I want to make random locations where you can find my art. It almost kind of cheapens it that you put it in some fancy gallery and charge a ton of money to feel better about what you’re doing,” says Skoff.

Director, owner and artist Robin Rios of 4Art Inc. in Pilsen stresses the importance for an artist to be prepared to work hard not only as an artist but on the business end of things. Rios divulged that it’s harder now more than ever to get your art in a gallery because of the economy’s current condition. As an artist and art director, Rios emphasized that any exposure an emerging artist can get is essential whether it be in an art gallery or on the street.

Skoff’s free art occupies many locations in the city. Canvases have leaned up against buildings in River North, faced the lakefront and rested in the limbs of trees. Robert Danek, a commuter from Geneva to his office in the city, noticed one of Skoff’s paintings in a tree by the train station.

“I know the artist was attempting some sort of public art display, but I proceeded to work to check the website written on the back of the painting, says Danek. At work, I confirmed that he was giving away the art, so I rushed back to the painting to claim it.  Thankfully, it was still there, so I lugged it back to the office.”

Many others like Danek have stumbled upon Skoff’s art in just the same way. They not only enjoy the painting they discovered but go on his website to search for more; like an “easter egg hunt” as Skoff describes. Locals check his website once the shout out is given to those on his contact list, gearing up with maps and the provided hints to the slew of paintings sprawled out all over the city.

He loads up his truck with five or six paintings ranging from big canvases to smaller pieces ready to be released and found by an avid Skoff fan, or an unsuspecting bystander. Skoff says that they are usually found within one or two days as he receives notices from people through e-mail. Others, Skoff says, could very well be thrown into the trash and that is its fate.

Skoff also makes miniature figurines called Little Things. The Little Things are carved out of wood with little embellishments complete with a painted body and no face for expression that are left out haphazardly just like the paintings. These figurines are a metaphor Skoff creates to show how the little things are what make life worth while.

“The Little Things I leave out could be everyday things that people do or common things like little life moments that make life better,” says Skoff.

Skoff also sells the Little Things on his website but are purposefully priced at an astronomical amount so no one would buy them, but rather find them for free instead.

Skoff’s art and message have spread and affected many Chicagoans that now have one of his paintings or a Little Thing.

“I have a lovely story to tell people of how I acquired the art, and a sense of excitement and joy were given me by the artist. You can’t paint that shit. These paintings aren’t just pictures on the wall, they are unique stories that have happened to people individually,” says Chicagoan Russell Walker.

Walker found Skoff’s website before he went on a wild goose hunt for one of his paintings. He happened to stumble upon one in his own neighborhood after having a frantic conversation with the artist not knowing if he was going to spot one of the pieces before they were all snatched up by other locals.

“I think any opportunity to show your work should be graciously welcomed. As the world changes, then so does the appreciation for art, says Rios. The most important thing as an artist is to stay visible.”

Skoff is feverishly working away on a massive project before his next art hunt scheduled before Christmas. A giant Obama painting consisting of 432 1ft x1ft slabs of cardboard will be made with each one painted as a different abstract. All of the cardboard pieces will make up a mosaic of Obama measured at 18ft x 24ft. However the final mosaic will not stay together in one piece. Skoff plans to include 99 of the cardboard abstracts on his art hunt and will sell the remaining 333 pieces.

“Rather than being a sell out I’m actually selling pieces of one painting and each person is now connected because they all own an original ‘Skoff’ painting that is a small part of something bigger,” says Skoff.

Many people who have found or bought his art off of his website have never been able to put a face to the art and he would like to keep it that way.

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Apr 08
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Movin’ On Up

Where I call home now won’t be much longer as I will be moving out of my parent’s house. I find it funny how I’ve been looking around for an apartment big enough for all of my stuff when I’ve managed to fit most of it in one room my whole life. I’ve been looking forward to this moment ever since I can remember…not saying I didn’t have a great life at home with the rest of the fam, but I’m a pretty independent person. However, I’m just starting to realize how much I’m really going to be responsible for. As my leasing agent put it, if someone decides to throw themselves off my balcony…I’m responsible for it. If my cat decides to bite someone’s ankle…I’m responsible for it. I’m really not worried about either of those situations actually happening but hey the world is full of surprises. Little Luigi has a good temperament I would say.

My boyfriend will be my roomie and who knows what he’ll bring to the table with his poker-playing, WOW obsessed friends. I’m quite excited knowing that I have my own personal office though where I can shut out any nonsense that might be going on. I’m not one to be bossy or anything but the second he said that he wanted to put the Master Chief Collector helmet in the main living area…a girl must draw the line somewhere…

It’s a whole new chapter in my life if you want to get all cliché about it. It’s crazy knowing that I have to pack up everything I’ve collected over the past 21 years of my life in seven days in the midst of school, my internship, freelancing and my regular job. Not to mention I haven’t seen the bottom of my closet in years…so that’s a whole venture in itself.

I figure I won’t have any time to decorate until summer rolls around…but when that time comes I can finally put all of that useless stored knowledge those home design shows have given me to good use.

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Mar 18
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Multimedia Journalism

Facebook, Twitter and Youtube are the leaders in multimedia journalism in my opinion. However it’s important to retain a format that is unique to your site…this now seems to be an issue for Facebook. It looks exactly like Twitter…not good. If Facebook somehow feels threatened by the likes of Twitter, it doesn’t need to be. Facebook offers so much more than just a status update but now that’s all you really see on the homepage. WHY did developers feel the need to change it?! Now that my frustrations have been released about the new Facebook platform…

Something I’ve noticed about multimedia journalism are the ever increasing issues of copyright infringement. Sure I’m as guilty as the next posting videos on Facebook that I find humorous or posting pictures on my blog that I either comment on or like…but if it’s not attributed in any way…that my friend is copyright infringement. In my trade magazine writing class I covered the photography business and the issues of copyright infringement online. It’s something that is really turning their world upside down with bloggers using their images as they please without the slightest bit of attribution. It really made me more conscious with how I use photos and/or videos. There are so many technicalities behind what is really considered infringment but how would you like it if your hard work was being taken by random people and placed all over the Internet without any kind of retribution? Software like Picscout is being developed in order to hold the rights of copyright holders and track how photos specifically are being used online by a number of methods. For instance creating a digital fingerprint for each photo or group of photos. Overall, multimedia although entertaining and useful, can also put a damper on creators.

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Mar 11
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This is a compilation of horrible female drivers. Although I’m also a female driver, I couldn’t help but laugh myself senseless while watching this.

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Flashback: Am I in highschool?…

I’ve been interviewing students for a story I’m currently writing about the sensibility of having a major in liberal arts. Of course that’s it in a nutshell…but I felt like I must vent about something that came up in almost all the interviews I had with Columbia students which is the quality of the education they’re getting. The general education classes (for the most part) were described as dull, not challenging in the slightest and are an insult to most student’s intelligence.

I would have to say I agree with such statements. When I took an Introduction to Literature class to get a gen. ed. out of the way… at best I thought I was in my sophomore year of high school again. We went over how to write a theme paper for crying out loud! I also can’t tell you how many times I’ve analyzed Romeo and Juliet…I realize it’s an intro class but I expected it to be at least at a college level…we even went around the room like it was story time reading poems and short stories aloud to pass the time. It was like kindergarten minus snack and nap time. Turning things in on time was optional too. Although this seems like a great class to take for an easy A, I don’t want to have to suffer through the semester knowing that I actually paid to take a course that could have possibly made me lose some valuable brain cells.

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